Good Fortune, this whimsical film by comedian the director, has been struggling at the box office. Many reasons could explain the film's performance: The generic name fails to convey its film's unique charm. Its script is often moralizing and heavy-handed regarding its messages. Its acting are uninspired and presentational, as if the actors were reciting lines directly from the page. Moreover, the film comes during an era of financial anxiety and disparity, which could render viewers less receptive to a narrative that implies wealthy people have every benefits while the poor possess heart.
However, here's where the movie excels: It's original, daring, imaginative, frequently funny, and certainly relevant. And, it provides a enjoyable the actor hangout movie.
I have not regarded Keanu Reeves a good actor. The actor's flat delivery and consistent expression of slight concern have always seemed limited, regardless of the wide range of characters he has played over the past 40 of his career. Astute directors have often placed him in roles in which his stoic nature fits perfectly, including his early work to The Matrix to John Wick. Yet almost all of those characters called for him to appear hardened, distant, or removed.
Throughout the film, Reeves portrays Gabriel, one minor protecting celestial being tasked with looking after people that use their phones when driving. His entire duty is sitting in their cars and gently touching their shoulders when they are about to crash, warning them so the driver brake in time. But, when standing high above the city, looking down upon humanity similar to a version of a celestial figure in Wim Wenders' renowned film Wings of Desire, the character becomes aspirational. Gabriel desires to become an exceptional guardian and a savior of wayward individuals.
Therefore, Gabriel presents himself to struggling handyman a character (played by Aziz Ansari), who is residing out of his car and resenting his situation. The angel then swaps Arj into the existence of extremely rich businessman a character (played by the comedian). This point of the experiment is for Arj to understand the wealthy man's life has major drawbacks, and thankfully go back to his original circumstances, much like a character in It's a Wonderful Life.
Problem is, Arj right away realizes that the mogul's issues (boring appointments, a pricey pool-heater bill) prove minor and readily solved with wealth. Arj further sees that being rich provides limitless opportunities for self-indulgent enjoyment. He shows zero desire in returning to his own life, and Gabriel is unable to compel him to go back. Subsequently, additional bad news comes: For exceeding his duties and messing with the balance of the world, the character loses his position as an celestial job, and turned into a mortal.
I was never persuaded by Reeves playing an celestial being who has grand aspirations and an intense desire to effect change. He delivers the same vaguely stiff acting he's consistently providing for at least the last 3 ten-year periods. Viewing him as an angel who's just turned human for the first time, however, proved to be highly entertaining, for a reason which really astonished viewers initially: It's something different for Reeves. Or more accurately, something old.
Soon during his confusing experience as a mortal, clinging to the wealthy character (who the angel had swapped into Arj's hand-to-mouth existence and underemployed situation), the character begins hesitantly trying out human experiences such as chewing and consuming meals. And Reeves grins. Authentically, cautiously, joyously smiles. (This is a lot more convincing than the smile shown in the poster, that looks digitally altered.)
It really surprised me to recognize how surprising and refreshing the expression was. When did we last audiences saw the actor smile in a movie where he wasn't expressing malice, sarcasm, or bitterness? He likely attempts a smile at some point in 2020's misbegotten the sequel, but I'm not returning to the mess to find out. The actor has been typecast with serious, murderous, introspective, or simply solemn characters for such a duration that merely watching him grin seemed like seeing an entirely new actor.
As the story progresses, the character finds himself needing to take a dishwashing job, a role that doesn't pay enough for survival, and Gabriel begins smoking heavily due to frustration. Just the sight of the actor in a cheap paper food-service hat, with his late-career trademark long hair pulled back in a plain ponytail, slouching against a building and puffing on a smoke, proves worth watching. The kitchen worker getup totally alters his face and posture: Unexpectedly, the slim, well-dressed physical powerhouse of his famous films becomes gawky, unglamorous, and much more human.
Good Fortune is not always fun to watch, especially when the director (that also authored the screenplay) has to create plausible reasons for {Ar
A passionate writer and creativity coach with a background in arts and psychology, dedicated to helping others find inspiration.